Reply With QuoteI am sometimes not seeing the clearest Way in Working, and am overcomplicated. But we are all here to improove
Here is the newest iteration. Also I have decided to make it a full project not just a training map
Originally Posted by Schwarzkreuz
Glad I could help. I actually just came up with most of that on the spot. I find it much easier to draw everything by hand as needed. But I will have to apply this masking process to a mountain brush set I began a few weeks ago... 'twill help a lot.
I am sometimes not seeing the clearest Way in Working, and am overcomplicated. But we are all here to improove
Here is the newest iteration. Also I have decided to make it a full project not just a training map
i was joking, though you;ve intrigued me now. when yo usay you have 20 brushes, do you mean brushes that you use to create coastlines?@ Vorro: I am Not cheatingi have a set of 20 Brushes generated from clouds, jagged coast, wobble Coast, nebula, sandbank, cliffs and so on, its than giving you controll over a Black claud on a White layer, use the contrast tool to make it pure black white. Than select all Black, New layer, alter selection Round edges 1-2 Pixel, expand 2px, contract 2px, round 1 px. For the last Things i just created an Action.
I sometimes feel obercomplicated aswell :/.....Great job so far! That blue sea *love*
Yes, brushes to paint a Cloud. I did a small Tutorial on that.
Its more compelling to me than puzzle it from Cloud pieces or draw by Hand.
cool. i guess thats one of the benefits of coming up with your landmasses on the fly
Thats why i do this speedmapping training. Its helping me to find new ideas and let me see flaws in my workflow.
Ok here is another mayor update.
Hmm very nice cartouches but I don't know I expected something more "fantasy" to fit the map. maybe it's just me.
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