Thank you so much for your comment, your critical analysis opens up a perspective that I was not really aware of until then, I am referring to the discomfort you say you feel when looking at my maps. This reveals at least two things : 1) you spent quite a long time watching them and 2) I only control part of the information these drawings convey.
Making the observer feel strangeness by diverting conventional signs from their normal function is not a conscious goal I’ve set for myself. You cited the example of toponymy : for me, replacing toponymy with poetry, is a priori only a recourse to my lack of creativity regarding the invention of place names. It turns out that this process ends up playing an important role in the very genesis of the represented places, but it’s a furrow that I’m still digging and deepening…
My motto is “Imaginary cartography as an experience of total poetry” and this is my real motivation.
I try in my works to be as faithful as possible to my main source of inspiration (with the exception of the blues which correspond to a more personal research) : the 1922 type 1/50,000 topographical chart of France, which means imitate the typographical hierarchies and all the designs used in this particular medium. So, “curban cities” are looking at you saying in capital letters “IN MY BODY” or, in this map in particular, “THE WHITEWASHED TOMBS”
Using conventional signs to suggest impossible - or, at least, defying for the imagination - spatial configurations is one of the main characteristics of my works, the one that earns me questions like “why did they build this here and what for ?” Of course, the most of the time, I’m totally unable de answer it, the only thing I know is that drawing certain architectural monstruosities, of those which can be grasped at the 1/50,000 scale, makes me an impression of drunkenness, such as these noodle highways in the meander of the river…
These places are obviously an expression of my interiority : peace and terror, yes and yes, as in each of us.
I’m glad you like this map and I’m glad to announce you that, at the moment, it’s exhibited as well as all my originals in an art gallery in the center of Lisboa, Portugal. I sold this one to a neurologist… makes sense
Have a look to my Instagram - https://instagram.com/kishkindha_map...dium=copy_link
Last edited by Kishkindha; 06-29-2021 at 07:29 PM.
This discussion makes me realize just how much about your works I've been missing, because I don't speak French. I've been marveling at the maps, but there is a whole other dimension to these pieces that I haven't been able to see. Wow!
Lucky Lisbonites! I wish I could go see them.
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Phenomenal work. As always. I love how you take a particular style and era and then push the boundaries to the utmost.
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