Page 2 of 3 FirstFirst 123 LastLast
Results 11 to 20 of 26

Thread: Heian Shrine (personal project)

  1. #11

    Default

    Quote Originally Posted by Mouse View Post
    My oh my!

    That is gorgeous, and well worth the wait

    If you ever do another version of this one maybe shade the trees many different shades of green between the two you have chosen?

    But I have the feeling that I'm only nit-picking because I'm so JEALOUS! LOL!
    Haha, i will work on this Mouse.... Does 100 km2 of plain trees in different colours is enough? I think i am ready to do that.....

    Quote Originally Posted by Matthew VE View Post
    Fantastic Voolf! I actually don't mind just two colors of trees, in my opinion it looks fine. But, I do have one nitpick on the font: It's papyrus! Just to let you know papyrus is way overused and you should stay away from it.
    This is a gorgeous map Voolf, keep it up! I so enjoy your maps.
    Really? I haven't noticed that at all. I was looking for some thin font and come across this one, so i used it for the very first time. I don't want to part with it so fast .

    Quote Originally Posted by tilt View Post
    Its beautiful Voolf - sorry, but I have to rep you ... love the roof work most of all, and the small detail of the gateway breaking the border
    Well if you HAVE TO, i cannot do anything about it.... i guess i will live. . Thank you.

    Quote Originally Posted by kacey View Post
    You're amazing, I find myself in aw of you're work more times then not and you continue to improve with each one, I can only imagine what we'll see from you a year from now. This is stunning, and I'm seriously jealous of you're work. I much prefer to use the multiply and screen method over the overlay blend mode for shading and highlights, and you're work here definitely shows that you've mastered it because the results are really great... Can't wait to see what you do next.
    Thank you so much kacey. It may be hard for you to believe, but i so much like your maps too. Some of them are in my inspiration folder and i already looked at them several times to please my eyes.
    As for the blending i like overaly because i can work both shade and light on one layer just switching the colour. I know some people say that overly tends to alter the colour too much. That is true, it works simillar to burn. But effect is much better if you stack 2 low opacity overly layers.
    Working with Multiply and screen is somehow strange to me, because those two layers works exactly the same as normal layers for me. If i take all my multiply and sceen layers and change their blending mode to normal, for my eye nothing changes in the picture, i can do the very same wilh all layers as normal. At this point i dont see the benefit i could get from those two modes over normal one.

    Quote Originally Posted by J.Edward View Post
    This looks great Voolf.
    Glad you did both English and Japanese versions.
    I love seeing the Japanese. I find it more pleasant to work with.
    Everything here looks really well done. The trees especially.

    Edit - darn, must spread rep. And I just did that too.
    I will return
    Thanks J.E. I like to work with Japanese too, but since i stopped using PS (which was the only software that could handle japanese properly) i have some difficulties to arrange the text. Especially when i make it vertical. Some signs are positioning wrong during typing, especially ー this one. If text is vertical this sign should also go vertical。I don't know if you are aware of this, but you have same thing in your Umi no Toride in words like ルーム, ガード.

    Quote Originally Posted by Tom View Post
    This is Goregeous Voolf, really a great job: clean lines and colors, the trees are awesome.. bravo!
    Thanks Tom.

    Quote Originally Posted by Ilanthar View Post
    Perfect! Everything is really well done. The details of the roofs are crazy and the trees are just a model to follow.
    Thank you, took me long to make them.

    Quote Originally Posted by ChickPea View Post
    Absolutely beautiful. This is a work of art and there isn't a thing I would change. Your shading is gorgeous.

    I'm so sorry, but I can't rep you and, oh boy, does this map deserve it!
    Thank you ChickPea.

    Quote Originally Posted by Straf View Post
    Great stuff Voolf and nice to see you around a bit more Your tonal choices are as usual very pleasing. If there was one thing I'd comment on is the water seems a bit bold compared to the rest and appears to stand out. The rest of the palette is more laid back if you know what I mean. Anyway that's just me. Overall it's a great piece.
    Thanks Straf.
    I thought i lower the saturation of the pond enough... i will keep that in mind for next one.

    Quote Originally Posted by Straf View Post
    Is that a Japanese flag in the bottom left or is it a pie chart indicating how much of Japan is actually Japan?
    I am sorry Straf, but sometimes i dont understand your humor :/. It may be cultural differences.

  2. #12
    Guild Artisan damonjynx's Avatar
    Join Date
    Aug 2012
    Location
    Sydney, Australia
    Posts
    811

    Default

    Voolf, this is simply stunning. Very well done. The whole piece is just...I can't think of any superlative that does it justice except to say every aspect is 1st class; line work, palette, shading, scale et al.
    Glory is the reward of valour.

    My blog at: damonjynx.blogspot.com.au

    Finished Maps

  3. #13

    Default

    Um, wow. The line-work and shading in this piece are really top-notch. Just stunning!

    Cheers,
    -Arsheesh

  4. #14
    Professional Artist ThomasR's Avatar
    Join Date
    Nov 2015
    Location
    Angers, France
    Posts
    4,199

    Default

    I've postponed commenting on this masterpiece for too long. You manage to rival J.Edwards top down buildings and cities with a twist where, I already said it, I can see a Schley influence. Yet, you show something personal. Great ... no, not great, awesome performance here, Rafal !

  5. #15

    Default

    Quote Originally Posted by damonjynx View Post
    Voolf, this is simply stunning. Very well done. The whole piece is just...I can't think of any superlative that does it justice except to say every aspect is 1st class; line work, palette, shading, scale et al.
    Thank you.

    Quote Originally Posted by arsheesh View Post
    Um, wow. The line-work and shading in this piece are really top-notch. Just stunning!

    Cheers,
    -Arsheesh
    Thank you.

    Quote Originally Posted by ThomasR View Post
    I've postponed commenting on this masterpiece for too long. You manage to rival J.Edwards top down buildings and cities with a twist where, I already said it, I can see a Schley influence. Yet, you show something personal. Great ... no, not great, awesome performance here, Rafal !
    Wow, that is quite a praise. Thank you so much Thomas.

  6. #16
    Guild Master Josiah VE's Avatar
    Join Date
    Feb 2016
    Location
    Winnipeg, Manitoba, Canada
    Posts
    2,099

    Default

    Voolf, this is an absolute masterpiece! Flawless and masterful. The style definitely reminds me of J. Edward. The trees are fantastic.
    You are an inspiration!

    I offer map commissions for RPG's, world-building, and books
    PORFOLIO | INSTAGRAM

  7. #17

  8. #18
    Guild Adept
    Join Date
    Apr 2014
    Location
    Menton - FRANCE
    Posts
    267

    Default

    Wonderfull work! Amazing! I love this

  9. #19
    Guild Expert snodsy's Avatar
    Join Date
    Sep 2014
    Location
    Cincinnati/Northern Kentucky Area
    Posts
    1,331

    Default

    Absolutely beautiful, such precise linework, your trees are magnificent! Another inspirational piece.

  10. #20
    Guild Expert Guild Supporter Greg's Avatar
    Join Date
    Jan 2016
    Location
    South West England
    Posts
    1,478

    Default

    This is technically stunning work Voolf. It was great to watch it slowly develop and build up to the wonderful finished piece it is now!

    If I had to give any crit, like others have said, I feel like there could have been another green used in doing the trees to really make them pop with that blue, but otherwise this is marvellous stuff! Also, the English text isn't a patch on the wonderful Japanese script.

Page 2 of 3 FirstFirst 123 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •